tag:theconnectedperformer.com,2005:/blogs/our-blogthe Connected Corner2021-04-10T18:35:55-04:00The Connected Performerfalsetag:theconnectedperformer.com,2005:Post/65827602021-04-16T15:59:50-04:002022-09-12T14:14:24-04:00Actors - Creating a POSITIVE self image<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/36e876b38af2d49b07de0017074681104d1d63f2/original/blog-images-10.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="" />Is your self-worth tied to how much you're booking? As an actor, it can feel impossible to keep your spirits up when work has run dry. </p>
<p>If we're not careful, television, magazines and Social Media can make us feel terrible about ourselves. Everywhere we look we see pictures of beautiful, sculpted and unattainably photo-shopped people that we compare ourselves to. </p>
<p>If you are currently struggling with self-confidence, there are so many ways you can help yourself turn it around.</p>
<p><strong><span style="color:#b41076;">Goal setting</span> </strong>- nothing feels better than checking something off of our "to-do" list. Whether it's becoming more career-centric and finally getting an agent, or signing up for that pottery class you've always wanted to take, it's all part of our journey of self-discovery and self development. Setting and completing small, manageable goals is a great way to improve how you feel about yourself.</p>
<p><span style="color:#b41076;"><strong>Self-Affirmations</strong></span> - Motivational author, Louise L. Hay, once said, "Every thought we think is creating our future." </p>
<p>How often do you find yourself spiraling because of the constant podcast of negative thoughts that run through your head? </p>
<p>To stop the cycle, start using affirmations: short mantras that you repeat to yourself throughout the day. It can be something as simple as, "I am enough," or, "I am on an ever-changing journey," or, "Today, I will go out and kick ass!"</p>
<p><span style="color:#b41076;"><strong>Meditation</strong></span> - It's never too late to learn the simple art of meditation. Clear your thoughts and focus on the breath to feel grounded and connected to the Universe. Here are two ways to meditate:</p>
<ol> <li>
<strong>The Breathing Method</strong> - Find a quiet room, turn everything off and get comfortable. Close your eyes and focus on breathing. If you have a hard time focusing, every time you breathe in, you can visualize the hands of a clock spinning clock-wise. As you breathe out, think of the hands moving counter-clockwise.</li> <li>
<strong>The Jar Method </strong>- write down each of the positive things that happen to you every day for a week and put them in a jar. On the seventh day, open up the jar and read them aloud to yourself and destroy the papers as they are read.</li>
</ol>
<p>It's never too late to learn how to build a positive mindset. Start small, seek out the positive people in your life and gently step away from those that pull you down. When you align yourself with others who share the same values, you'll be amazed how your self image improves.</p>
<p>Remember that this business is a marathon, not a sprint. Your mental wellness is just as important as your ability to hit those high notes if you want to stick around for long.</p>
<p>What are your favorite ways to stay mentally strong? Share them with us in the comments below!</p>The Connected Performertag:theconnectedperformer.com,2005:Post/65702852021-04-13T13:49:47-04:002022-01-01T10:35:39-05:00There is no such thing as too much rehearsal!<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/954f0dc8ef06c120c96f3437fd59366ef68688ae/original/blog-images-7.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="Upgrade your musical theater auditions" />There is a misconception going around that we want to clear up. There is no such thing as being "over rehearsed." Ever.</p>
<p>We have this little joke between the two of us. We always have multiple projects in the works- both together and independently. When we feel pressed for time and want to move on to the next thing, we often say to each other, "It's fine. You look fine". 😑</p>
<p>The problem is that "fine" is never what anyone wants to hear. </p>
<p>Does your old material feel "fine"? If so, it's not from too much rehearsal. It's from letting it get stale. </p>
<p>If you feel like your song or monologue is over-rehearsed, ask yourself these questions: </p>
<p><strong>Do you have a crystal clear "moment before"?</strong> - Monologues don't suddenly happen, they are a reaction to an event, a statement or an action. That clear moment before allows us to drop in on the middle of a conversation, which is much more interesting.</p>
<p><strong>Is my imaginary "scene partner" that I've chosen the strongest choice for this piece?</strong> - Try different people in different scenarios to help discover something new in your delivery. </p>
<p>For instance, if your song is directed to your significant other, proclaiming your ❤️ for them, try changing that person to a parent, child or best friend. The type of love changes with the person and so will the intention.</p>
<p><strong>Are you playing the opposites? </strong>- In his incredible book, Audition, Michael Shurtleff says it best, "Consistency is the heart of dull acting. In all of us there exists love and there exists hate...it is the actor's creation of opposites that develops conflict, and therefore drama, and therefore interest."</p>
<p>Think about the lyric "excited AND scared" in Sondheim's INTO THE WOODS. Little Red's character has laid out two very different feelings. She's terrified of the Wolf, but at the same time the thought of "straying off the path" is a little thrilling. </p>
<p><strong>What outcome does your character expect?</strong> - Just like changing up your imaginary scene partner, if you change what your character wants to happen, it will color your tactics in a completely different way.</p>
<p>Hopefully, if you apply these new tactics, you'll find that you can breathe new life into your character- whether you've been playing it 8 times a week for an audience, or just dusting off an old monologue. </p>
<p>An actor's work is never done, and that's why we love what we do. Challenge yourself to experiment with every song and monologue in your book. If you've asked yourself the questions above and you STILL feel nothing works or it's just "fine"...then you clearly have little connection to the material, and it's time to drop it from your book, and that's...fine.😉</p>
<p> </p>The Connected Performertag:theconnectedperformer.com,2005:Post/65547902021-04-10T18:35:55-04:002021-04-12T19:06:40-04:00Die Vampire, Die!<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/d0fa1a6ba71b341a1178cee18d4dbe83597a17a7/original/blog-images.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="musical theatre musical theatre albums musical theatre songs musical theatre near me musical theatre international musical theatre colleges musical theatre quotes colleges with musical theatre musical theatre songs for altos musical theatre university of michigan musical theatre west musical theatre auditions near me musical theatre alto songs musical theatre duets musical theatre history musical theatre dance musical theatre resume musical theatre wallpaper musical theatre female duets musical theatre baritone songs musical theatre songs for baritones musical theatre golden age musical theatre duets female musical theatre nyu musical theatre songs why theatre is important musical theatre shows musical theatre musical theatre tenor songs musical theatre bfa" />Jeff Bowen & Hunter Bell gave Susan Blackwell the perfect song in [title of show] and could not have said it any better..."DIE VAMPIRE, DIE!"</p>
<p>You know exactly what we're talking about. If you've ever left a conversation feeling exhausted or even guilty, you have fallen prey to the Vampire. Those friends, family and coworkers who suck the life out of you and your dreams. Sometimes we are painfully aware of what they're doing and other times... not so much.</p>
<p>Life is energy that we give and take, so there's nothing worse than the vampire that sucks all of your energy, leaving you deflated, depressed and ready to give up.</p>
<p>There are many types of energy vampires: </p>
<p><strong>The Ego-maniac</strong> - Also known as the narcissist, this is a vampire who needs to be the center of attention at all times. They are always right, and will go to great lengths to tell you so. The world revolves around them, and we lose hours of our lives listening to every detail of their "fantastical" existence. Even when you try to participate in the conversation, they turn the spotlight back on themselves faster than you can say "I think...."</p>
<p><strong>The Drama Queen </strong>- The vampire that LOVES a good crisis. They grab you by the arm and hold on for dear life as they moan about the world. This breed feeds on validation and sympathy, and, like the narcissist, also finds every opportunity to turn the spotlight back to their unjust woes.</p>
<p><strong>The Judgy-McJudgerson</strong> - "Do you really think your voice is strong enough for that role?" or "I really hate to see you wasting your life on this silly little pastime" are common phrases of this vampire. Typically, they're incredibly insecure and would feel better if you were too. </p>
<p><strong>The Time Tyrant</strong> - Ever have that friend who needs you to drop everything you're doing and come to their rescue RIGHT NOW? They may not be aware of it, but because you helped move his couch that one time, he sees you as "reliable." Now, he thinks you're available for EVERYTHING from advice to menial tasks because you are his savior. </p>
<p>There are many other variants of the energy vampire, but let's turn our focus to how to deal with them.</p>
<p><span style="color:#16a085;"><em>Don't engage.</em></span> Vague posting or trash talking on social media is a bait you should never take. It would be nice if everyone would focus on the good things in life, get along and see common ground, but that just isn't reality. The vague poster wants you to pull it out of them and the trash-talker wants to start another argument. Engaging with either wastes your time as well as your energy. </p>
<p><span style="color:#16a085;"><em>Don't be alone with them</em></span>. If this vampire sees you as a crippled doe in the middle of the field, then do your best to pull someone else into the conversation...safety in numbers.</p>
<p><span style="color:#16a085;"><em>Learn to change the topic.</em></span> Pivot the conversation and stick to light-hearted topics as many times as needed...hopefully they'll get the hint. Whenever we find ourselves in a draining conversation, we start talking about our dogs. (We talk a LOT about our dogs.)</p>
<p><span style="color:#16a085;"><em>Find your happy place</em></span>. If they've launched into another one-man-show about their issues and there's no way out, then there is nothing wrong with focusing on your own positive self-talk. Find a mantra or affirmation and chant away in that beautifully positive head of yours.</p>
<p><span style="color:#16a085;"><em>It's ok to walk away. </em></span><span style="color:null;">Take a deep breath and politely excuse yourself from the conversation. </span></p>
<p><span style="color:null;">Vampires have the knack for attacking when we least expect it. We don't want to go through life avoiding people or always being on guard! It's all about balance and knowing how to manage your time. </span></p>
<p><span style="color:null;">Everyone deserves support and compassion, and we can always offer both while being </span>cognizant of our own needs. Find your tribe of healthy, like-minded people full of positive energy.</p>
<p> </p>The Connected Performertag:theconnectedperformer.com,2005:Post/65658332021-03-05T12:02:32-05:002021-10-11T14:31:59-04:00Actors Working SMARTER, not Harder<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/eafe74a587d17f7e43e44209e4ea9b4d7f098563/original/blog-images-2.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="musical theatre musical theatre albums musical theatre songs musical theatre international musical theatre near me colleges with musical theatre musical theatre colleges musical theatre quotes musical theatre auditions near me musical theatre west musical theatre university of michigan musical theatre alto songs musical theatre duets musical theatre songs for altos musical theatre dance musical theatre history musical theatre golden age musical theatre female duets musical theatre songs for baritones musical theatre baritone songs musical theatre resume musical theatre wallpaper musical theatre duets female musical theatre shows why theatre is important musical theatre nyu musical theatre songs for kids musical theatre for kids musical theatre auditions musical theatre dance costumes" />BE THE ANT. </p>
<p>In Aesop's fable, the Ant & the Grasshopper, the ants worked feverishly to stock up for the winter, while the Grasshopper partied all summer long, running around and playing his fiddle. </p>
<p>At the time I thought, what kind of crap fable is that!? </p>
<p>I was totally fine! C'mon! I had a fantastic year on the books, going from show to show dappled with cabaret performances, special events, fundraisers, hosting local award shows and a few commercial voice overs...you know, like you do. And then...(cue crickets) the year ended. </p>
<p>Just like the fable, THIS grasshopper was back at zero, left out in the cold with no work in sight, while his wise friend the ant scoffed and sipped champagne at her own opening night party. </p>
<p>That’s when I decided to BE THE ANT. </p>
<p>When we graduated, we felt like there was some BIG SECRET that everyone knew but us. We later discovered that most performers have no freakin’ idea where to begin. Sure, some work falls in your lap (and that’s awesome), but how do you make a consistent living as an actor? We hate to break it to you, but there is no secret formula that guarantees you the amazing career of your dreams. However, every successful career starts with a lot of self-evaluation, formulating a plan and being consistent. </p>
<p>So, let’s look at how you can work smarter, not harder. </p>
<p>Ask yourself: </p>
<p>What's been working and what hasn't? (Make a checklist) </p>
<p>I'm auditioning around town and getting smaller roles. (Working!) <br>I’m always hearing about auditions at the last minute and don’t have time to prepare, so I end up not going. (Not working!) </p>
<p>What do you want from your career? </p>
<p>To book more consistent work <br>To play my dream roles <br>To create strong and lasting relationships with companies across the country </p>
<p>What does your ideal career look like? </p>
<p>Do you want to be a stage, film or tv actor? <br>Do you want to be an actor with a family? <br>Do you want to create your own original material? </p>
<p>What’s holding you back? </p>
<p>Not having representation <br>Not knowing what to do next <br>Inconsistent follow through </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/eafe74a587d17f7e43e44209e4ea9b4d7f098563/original/blog-images-2.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="musical theatre musical theatre albums musical theatre songs musical theatre international musical theatre near me colleges with musical theatre musical theatre colleges musical theatre quotes musical theatre auditions near me musical theatre west musical theatre university of michigan musical theatre alto songs musical theatre duets musical theatre songs for altos musical theatre dance musical theatre history musical theatre golden age musical theatre female duets musical theatre songs for baritones musical theatre baritone songs musical theatre resume musical theatre wallpaper musical theatre duets female musical theatre shows why theatre is important musical theatre nyu musical theatre songs for kids musical theatre for kids musical theatre auditions musical theatre dance costumes" />Once you've taken a good look at your answers, it's time to use that information to your advantage. </p>
<p>Set specific goals and hold yourself accountable. Talk about them. Write them out and put them in a spot you pass by regularly. Tape a list to your bathroom mirror, put reminders in your phone, or put Post-It notes on your dashboard. Remind yourself of your target on a daily basis. </p>
<p>Find support. The struggle is real, and lack of focus is the number one foil to the performer’s career. Seek out a career-focused network. If you don’t thrive in that type of atmosphere, then find a coach whose job is to guide you and help you focus. </p>
<p>Leveling up your career strategy takes thought, time and determination sprinkled with a lot of trial and error. Strategizing and becoming consistent will win out over "talent" every time. </p>
<p>Soon you will be giving advice to other grasshoppers, while sipping champagne on top of your bountiful anthill. </p>
<p>Let us know if you've found your tribe of ants in the comments below. </p>
<p>Click HERE so you don't miss out on our next post! </p>
<p>Natalie Cordone & Kevin Kelly - theConnectedPerformer.com</p>The Connected Performertag:theconnectedperformer.com,2005:Post/65387712021-02-11T19:36:06-05:002021-03-03T16:21:34-05:00Oops! How to learn from your mistakes<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/b764a990ac5d7a22cf00aaa51e03cf44331db618/original/blog-images-3.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="letting go of mistakes, learn from your mistakes" /></span></p>
<p><span class="font_regular">So... there was this time when we were in a musical together. </span></p>
<p><span class="font_regular">It was a regional premiere, we both had GREAT roles, and people were literally lined up around the block to get in. </span></p>
<p><span class="font_regular">Dream job, right? Right! </span></p>
<p><span class="font_regular">However, (Kevin's gonna kill me for telling you this), during opening week, he completely jumped a song. </span></p>
<p><span class="font_regular">Like, "Hey, folks! Here's song #22... and now, here's song #24!" </span></p>
<p><span class="font_regular">Yep. Song #23 was Todd's solo. And, um, Kelly over there, skipped his song. </span></p>
<p><span class="font_regular">Luckily, my back was to the audience. Unfortunately, I couldn't stop laughing. (Also, luckily for Kevin, neither could Todd.) </span></p>
<p><span class="font_regular">Did anyone die? No. Will Kevin EVER live it down? Also, NO. </span></p>
<p><span class="font_regular">But, did Kevin ever, ever, ever skip that song again? Absolutely not. Not during the hundreds of shows we did- not even when we were totally jet lagged in Europe. </span></p>
<p><span class="font_regular">So, other than embarrassing Kevin, why bring up this long lost song today? </span></p>
<p><span class="font_regular">Because we all make mistakes. NO ONE is perfect. </span></p>
<p><span class="font_regular">In fact, we WANT you to make mistakes. </span></p>
<p><span class="font_regular">WHAT? </span></p>
<p><span class="font_regular">Yep, we said it. Go out there and fail. Fall on your face, trip coming up the stairs, tuck your skirt into your tights. We don't care. </span></p>
<p><span class="font_regular">What you do about it <em>afterwards</em> is what matters.</span></p>
<p><span class="font_regular">Here are a few ways to brush yourself off and make the most of those mistakes. </span></p>
<p><span class="font_regular"><span style="color:#b41076;"><strong>Acknowledge the mistake and let it go.</strong> </span> Figure out what <em>really</em> went down.</span></p>
<p><span class="font_regular">Let's say Paul walks into an audition, and in his eagerness to make a great impression, he calls the casting director by the wrong name...the entire time. But, he doesn't realize it AFTER he's left the room... 🤦</span></p>
<p><span class="font_regular">Instead of beating himself up for it, he can <strong>acknowledge that it happened and move on</strong>. Dwelling on it doesn't do him any good, and chances are the CD shrugged it off. </span></p>
<p><span class="font_regular">There are plenty of other people in this world who will kick you around for making mistakes. You don't need to pile it on. </span></p>
<p><span class="font_regular"><span style="color:#b41076;"><strong>What did you learn from this?</strong></span> Discover <em>why</em> it happened. </span></p>
<p><span class="font_regular">For example: Sarah was called back and sent the sides for a role she's always DREAMED of playing...or so she thought. </span></p>
<p><span class="font_regular">But, it turns out she was called back for a different role. Whoops. 🤭</span></p>
<p><span class="font_regular">In the excitement of getting the notice, <strong>she failed to read the email carefully</strong>, which resulted in preparing the wrong sides... which led to a not-so-great audition. </span></p>
<p><span class="font_regular"><span style="color:#b41076;"><strong>Make a plan to move forward.</strong> </span><span style="color:null;">Now that you know the <em>what</em> and <em>why</em>, form new habits. </span></span></p>
<p><span class="font_regular">Take your new-found knowledge and use it to your benefit. </span></p>
<p><span class="font_regular">Instead of beating herself up for it, Sarah can turn the cringeworthy callback into a teachable moment. She realized she needs to <strong>thoroughly read and RE-read</strong> every correspondence to avoid repeating this mistake. </span></p>
<p><span class="font_regular">And Paul learned to <strong>ask the proctor</strong> the names of those in the room, and write them down for future reference, <strong>BEFORE he walks into a room</strong>.</span></p>
<p>But, here's the thing. If you don't make mistakes, you'll never grow. And, to become the artist you want to be, you must learn new things. </p>
<p><span class="font_regular">If you don't, you'll find yourself taking fewer and fewer risks and eventually giving up on your dreams. </span></p>
<p><span class="font_regular">And we believe you're reading this article because you're meant to be here. Right now.</span></p>
<p><span class="font_regular">You've got this.</span></p>
<p> </p>The Connected Performertag:theconnectedperformer.com,2005:Post/65432802021-02-11T18:25:00-05:002021-03-04T19:33:01-05:00ARRGH! What era is this musical in!?<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/54dc8e1c5e9aaf2a68ccf1cbed9f563aabe1c929/original/blog-images-6.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="Know your musical theatre genres" /></span></p>
<p>By now, you should have gotten your copy of our <span style="color:#b41076;"><strong>TOTALLY FREE guide</strong></span>- <a contents="Book More Work: How to Discover Your Type and Choose the Right Song for Every Audition" data-link-label="Build Your Book & Book More Work" data-link-type="page" href="/build-your-book-book-more-work">Book More Work: How to Discover Your Type and Choose the Right Song for Every Audition</a>. (If not, click the link <span style="color:#b41076;"><strong>NOW</strong></span>!)</p>
<p>In it, we give you all kinds of valuable information like: </p>
<p>• How to discover your type </p>
<p>• What to do with it once you know </p>
<p>• How to organize your audition book </p>
<p>• What to put in the darned thing </p>
<p>AND </p>
<p>• As a <strong>bonus</strong>, we help you toss all those deadweight songs you’re carrying around in your book right now. (Seriously, you can put them in the shredder. We give you permission.) </p>
<p>Now, when it comes to the organizational part of things, clients often ask us, “How do I decide which era a musical comes from?” </p>
<p>It can feel a little tricky, but this information is super important. You don’t want to bring in an audition piece that doesn’t fit the show(s) the theatre is producing. </p>
<p><span style="color:null;">Well, look no further. We’ve got you covered with this handy cheat sheet of the Eras of Broadway Musicals. </span></p>
<p><strong><span style="color:#b41076;">Pre-1920's: The Golden Age of Opera </span></strong></p>
<p>Notable examples: Gilbert & Sullivan and the rise of Vaudeville. </p>
<p><strong><span style="color:#b41076;">The Jazz Age (1920-1939) </span></strong></p>
<p>Book musicals begin to emerge. Revues are very popular and larger than life production numbers are king. Enter: Florenz Ziegfeld and his Ziegfeld Follies. </p>
<p>A few notable examples: <span style="color:#1abc9c;"><em>No, No Nannette</em></span> and <em><span style="color:#1abc9c;">Shuffle Along</span></em> (which launched the career of Josephine Baker). </p>
<p><strong><span style="color:#b41076;">The Golden Age (1940-1959) </span></strong></p>
<p>Book Musicals like <em><span style="color:#1abc9c;">Pal Joey</span></em>, <span style="color:#1abc9c;"><em>Oklahoma!</em></span>, <em><span style="color:#1abc9c;">Bells are Ringing</span></em> and <em><span style="color:#1abc9c;">The Sound of Music</span></em> dominate the stage! </p>
<p><span style="color:#b41076;"><strong>Post-Golden Age (1960-1969) </strong></span></p>
<p>Experimental theatre starts to rear its head in shows like the <span style="color:#1abc9c;"><em>Fantasticks</em></span>, <em><span style="color:#1abc9c;">Little Me</span></em>, <em><span style="color:#1abc9c;">Fiddler on the Roof</span></em>, <em><span style="color:#1abc9c;">Hair</span></em> and <em><span style="color:#1abc9c;">Oh! Calcutta! </span></em></p>
<p><span style="color:#b41076;"><strong>Pre-Contemporary (1970-1999) </strong></span></p>
<p>Rock operas like <span style="color:#1abc9c;"><em>Jesus Christ Superstar</em></span>, <em><span style="color:#1abc9c;">T<em>h</em>e Wiz</span></em>, <em><span style="color:#1abc9c;">La Cage aux Folles</span></em>, <em><span style="color:#1abc9c;">Rent </span></em>and <em><span style="color:#1abc9c;">Hedwig and the Angry Inch</span></em> are important benchmarks of this era, but so were sweeping musical scores like <em><span style="color:#1abc9c;">The Secret Garden</span></em>, <em><span style="color:#1abc9c;">Titanic</span></em> and the introduction of the family friendly Disney musical. </p>
<p><strong><span style="color:#b41076;">Contemporary (2000-2019) </span></strong></p>
<p>Jukebox/pop rock musicals & movie musicals dominate the stage. </p>
<p>Shows filled with popular songs like <span style="color:#1abc9c;"><em>The Marvelous Wonderettes</em></span><span style="color:null;">, </span><span style="color:#1abc9c;"><em>Memphis </em></span>and <em><span style="color:#1abc9c;">American Idiot</span></em> share billboards with lighter fare like <em><span style="color:#1abc9c;">Chitty Chitty Bang Bang</span></em>, <em><span style="color:#1abc9c;">Wicked</span></em>, <em><span style="color:#1abc9c;">The Color Purple</span></em> & <em><span style="color:#1abc9c;">Dear Evan Hansen</span></em>. </p>
<p><strong><span style="color:#b41076;">Current (2020 - Present) </span></strong></p>
<p>Now we wait to see what fabulous new trends flow from the pens of emerging book writers and composers. </p>
<p>What will be the next <span style="color:#1abc9c;"><em>Hamilton</em></span>? Let us know where you see Broadway headed in the comments below!</p>The Connected Performertag:theconnectedperformer.com,2005:Post/65427272021-02-11T18:00:00-05:002021-07-15T07:23:54-04:00If only I could...<p><span class="font_small"><span style="color:#cc0066;"><em><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/552942ced6ff670cc5e1d628787b131f9a12ceb5/original/blog-images-4.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="staying focused on your dream job" /></em></span></span></p>
<p><strong><span style="color:#b41076;">"In order to kick ass, you must first pick up your foot." ~ Jen Sincero </span></strong></p>
<p>Ah, Jen Sincero. How do we love thee? Let us count the ways. </p>
<p>If you've ever talked to us, we've told you about her #1 New York Times bestselling book, <a contents="You Are a Badass" data-link-label="" data-link-type="url" href="https://www.amazon.com/You-Are-Badass%C2%AE-Doubting-Greatness/dp/0762447699">You Are a Badass</a>. </p>
<p>Basically, it's like The Secret. Except it works. </p>
<p>What's the difference? Well, instead of sitting around thinking about what you're going to do, you actually go out and do something about it. </p>
<p>And over here, we're BIG fans of doing. </p>
<p>How often do you think about <em>the thing </em>of your dreams, but instead of moving forward, you hear yourself saying phrases like, "If only I could...." </p>
<p>Here's a true story. </p>
<p>Maddie, a coding specialist in a well-known midwestern hospital, had always dreamt of singing with a combo. She was very happy with her chosen profession, but like so many of us, the responsibilities of her position kept her focus off of her secret dream- singing with a band. </p>
<p>Then, one night, she found herself at a work party making endless small talk with some co-workers. About halfway through the evening, she noticed the new guy sitting alone in a corner. It was the perfect opportunity to introduce herself and welcome him to the staff. </p>
<p>After a few minutes of compulsory chit-chat, the conversation fell into an awkward silence. </p>
<p>To keep the conversation flowing, he asked her, "So, what would you have done if you hadn't chosen this job?" Without skipping a beat, she launched into her dream, painting a vivid picture of sitting on a barstool in a smoky nightclub and belting out a sultry torch song. </p>
<p>His eyes lit up. "You're not going to believe this, but my cousin is a phenomenal jazz pianist and plays with a small combo downtown! You should go see them play and ask if he needs a singer." </p>
<p>"That's amazing," she said, "You're right, I should do that." </p>
<p>In her head she was thinking, "Yeah, buddy, never gonna happen." She thanked him for the information and wished him a good evening. </p>
<p>For the next week, she couldn’t stop thinking about it. </p>
<p>Cut to Maddie sitting in the club enjoying the band's first set. It turns out, the pianist WAS amazing. So, with butterflies in her stomach, she lifted her glass and thought, "It's now or never!" </p>
<p>As they finished the final song, she threw back the last of her wine and sidled up to the piano. </p>
<p>Not to be anti-climactic, but now she's living her dream as a weekend diva of the smoky stage. </p>
<p>By talking openly about her dream job- to a random person at a party- Maddie launched a series of actions that propelled her to do what she'd only dreamt about for years. </p>
<p>Be the Maddie. </p>
<p>Nothing in life comes with a guarantee. But, we’ll bet our vocal cords that sitting on the couch wishing and hoping won't get you where you want to go. </p>
<p>Thoughts create Actions. Actions create Habits. Habits create our reality. </p>
<p>So whether you dream of writing an award-winning show, recording a multi-platinum record, or landing a leading role in a Coen brothers film, <span style="color:#b41076;"><strong>pick up your foot and take the first step.</strong></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/65363522021-02-10T23:30:12-05:002021-03-04T19:33:38-05:00You NEED to Start an Audition Journal!<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/f0757830b284d2d25eb051e3bdddb1f7521ad408/original/blog-images-6.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="Book more work with your audition" /></span>Alright, Natalie here. </p>
<p>When I first moved to New York, I was lost.</p>
<p>Like, literally, totally lost on every street corner in Manhattan.</p>
<p>I have the worst sense of direction. No, wait. I have no sense of direction.</p>
<p>I felt like a moron. Finally, someone told me that when you want to go uptown (north), the numbers go up, when you want to go downtown (south), the numbers go down. </p>
<p>Duh.</p>
<p>So, for months I stood on street corners covertly peeking at signs around me to decide which way was West. But, once I figured it out, I started to look like a New Yorker. </p>
<p>And then came the day when people started asking <i>me </i>for directions. Woah. I had done it! I hit the mother lode. </p>
<p>(I also took the train going the wrong direction. Many, many times. But that's another story for another time...)</p>
<p>Now, why was I running around (lost) all over the city?</p>
<p>Audition after audition after audition after audition. </p>
<p>Now, as you can surmise, I spent A LOT of my time on auditioning. Prepping, planning, running. (And then running the other way...)</p>
<p>But, I wasn't taking the time to do anything about them <em>after </em>I left the room.<em> </em></p>
<p>So, off to another open call, EPA or ECC I would go. And I was starting to feel frazzled and like all this effort just wasn't worth the headache. Sure, I booked sometimes, but HOW did that happen?</p>
<p>It all came together when I started using my audition journal.</p>
<p>What's the big deal? Well, it's kind of like a map of Audition Town.</p>
<p><span class="font_regular">It's the perfect spot to track the companies you've auditioned for, who was there, what you did, what went well and what went terribly, terribly wrong. </span></p>
<p><span class="font_regular">These are just a few GAME CHANGING benefits of audition journaling! </span></p>
<p><span class="font_regular"><strong>1. You'll notice patterns</strong>. Let's say that you've used the same song at multiple auditions. Did you get a callback or even book the gig after using it? If you did, then it's a solid choice. However, if you're getting passed over, then that song isn't doing anything for you. Kick it to the curb!</span></p>
<p><span class="font_regular"><strong>2. It helps track how you found the audition.</strong> Was it on BroadwayWorld.com, a local social media posting or did you learn about it from a friend? If you repeatedly find notices in a group on Facebook where every audition turns out to be sketchy, then it's time to find a more reliable source. Try looking at the five standards: <a contents="Backstage.com" data-link-label="" data-link-type="url" href="https://www.backstage.com">Backstage.com</a>, <a contents="Playbill.com" data-link-label="" data-link-type="url" href="https://playbill.com">Playbill.com</a>, <a contents="BroadwayWorld.com" data-link-label="" data-link-type="url" href="https://www.broadwayworld.com">BroadwayWorld.com</a>, <a contents="ActorsAccess.com" data-link-label="" data-link-type="url" href="https://actorsaccess.com">ActorsAccess.com</a> and <a contents="ActorsEquity.org" data-link-label="" data-link-type="url" href="https://actorsequity.org">ActorsEquity.org</a>.</span></p>
<p><span class="font_regular"><font size="3"><strong>3. You'll stop obsessing after every audition</strong>. Are you making yourself crazy by checking your phone every five minutes for ANY sign of contact? Are you thinking things like, "They hated me!" or, "I'm not talented enough!" or that you should just give up? Instead of endlessly going over every audition in your mind, use an audition journal to help you release it to the universe. Then, move forward and prepare for the NEXT audition.</font></span></p>
<p><span class="font_regular"><strong><font size="3">4. It's your journal to success. </font></strong><font size="3">Once you get the hang of setting up an audition journal, take your new-found habit of journaling a step further! </font>It's always good to have one journal per goal. Think about c<font size="3">reating a rehearsal journal, a practice journal or even a workout journal. Whatever your goal is, having it in front of you really helps you play the long game and track your progress.</font></span></p>
<p><span class="font_regular">Getting started is much more important than the materials you use. Some people choose a nicely bound book to give the act of journaling a sense of ritual, but y<font size="3">ou can use a composition book or simple notebook. </font></span></p>
<p><span class="font_regular"><font size="3">Need help getting started? You can print our FREE Audition Journal Template <strong>HERE!</strong></font></span></p>
<p><span class="font_regular"><font size="3">Be creative! The point is to build this new habit of journaling after every audition you attend. Then USE that information to change the game. </font></span></p>
<p><span class="font_regular"><font size="3">Always remember, if you are <strong><span style="color:#16a085;">persistent</span></strong>, you will get it. If you are <strong><span style="color:#16a085;">consistent</span></strong>, you will keep it.</font></span></p>
<p><span class="font_regular"><font size="3">We'd love to hear how your journaling is going in the comments below.</font></span></p>
<p> </p>The Connected Performertag:theconnectedperformer.com,2005:Post/65363022021-02-10T22:42:11-05:002021-03-04T19:33:56-05:00Just Breathe - Calming yourself before an audition<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/a5f642d00065c7d41f6ed65f09e52b6bf61921e9/original/blog-images-5.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="using breath to calm yourself before audition" />Growing up in the midwest, we had those magical little nymphs of the evening- fireflies. </span></p>
<p><span class="font_regular">It was a simpler time. We couldn't have even imagined what a "smartphone" would be if we'd tried.</span></p>
<p><span class="font_regular">Instead, when my friends and I would come across a small swarm of these little buggers, we'd run around and squeal with delight as we each tried to catch them. It became a game, trying to see who could catch the most. Sometimes, because of our exuberance, they got squished. </span></p>
<p><span class="font_regular">That's how we discovered that if we smeared the goo on our hands or clothing, we would "glow" for a few seconds.</span></p>
<p><span class="font_regular">Again, we were kids. And kids are gross. </span></p>
<p><span class="font_regular">So, naturally, I thought wouldn't it be NEAT to have a jar FULL of them on my nightstand? I could watch them fly around in their new little glass home as they illuminated my dark bedroom! </span></p>
<p><span class="font_regular">So, I found an empty mason jar and caught as many as I could before my mom yelled at me to come inside. Their new glow-in-the-dark condo sat right next to my bed. I watched in fascination as they slowly calmed down and "went to sleep."</span></p>
<p><span class="font_regular">When I woke the next day to find them dead, my father asked if I had bothered to poke holes in the lid.</span></p>
<p><span class="font_regular">Whoops.</span></p>
<p><span class="font_regular">I had deprived them of the biggest essential thing that all living things need- AIR.</span></p>
<p><span class="font_regular">Now, you may be wondering why I'm going on about fireflies and my horrific actions as the child version of the Marquis de Sade, but I promise I have a point.</span></p>
<p><span class="font_regular">As 90% of all actors walk into the audition room, they hold their breath. Just like my little lightning bug friends, they're deprived of air.</span></p>
<p><span class="font_regular">This is, of course, the basic necessity that could help them to succeed (not to mention survive.) </span></p>
<p><span class="font_regular">When we can't breathe, our level of anxiety rises. Which leads to that panicked look plastered on our faces. And then the whole audition snowballs into an uncontrolled disaster. (Where we sort of feel trapped in a glass jar with no air holes.) </span></p>
<p><span class="font_regular">How do we fix this? Just breathe.</span></p>
<p><span class="font_regular"><span style="color:#b41076;"><strong>Belly Breathing:</strong></span> Instead of short and shallow breaths that make your chest swell and your shoulders rise, place your hand below your navel and focus on slowly breathing into the lower abdomen. This allows you to take a fuller breath. Slowly inhale and exhale 3 or 4 times, and you will start to feel connected to your breath.</span></p>
<p><span style="color:#b41076;"><span class="font_regular"><strong>4 - 7 - 8 Breathing:</strong></span></span></p>
<ol> <li><span class="font_regular">Place one hand below the navel and the other on your chest</span></li> <li><span class="font_regular">Inhale a deep, slow breath on a count of 4</span></li> <li><span class="font_regular">Hold that breath for a count of 7</span></li> <li><span class="font_regular">Exhale the breath on a slow count of 8</span></li>
</ol>
<p><span class="font_regular">Repeat this process until you feel calm. Notice how your body reacts to the change in your breathing pattern. Bookmark that feeling in your mind. When you find yourself starting to panic in the audition room, return to that feeling of calm.</span></p>
<p><span class="font_regular">There are so many breathing techniques that help us center ourselves. They are an essential tool for ANY actor.</span></p>
<p><span class="font_regular">Want to find out more? Check us out at <a contents="theConnectedPerformer.com" data-link-label="Schedule a FREE Coaching" data-link-type="page" href="/schedule-a-free-coaching">theConnectedPerformer.com</a> and sign up for your FREE session to see how we can help you to bring your best audition every time.</span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/65140622021-02-10T21:52:29-05:002021-03-04T19:34:20-05:00Recharge Your Inner Artist<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/2ac7428dfebaffe8a282795145cb8c6f38cb9649/original/the-two-choices-an-actor-must-face-18.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="Self care and the actor" />Have you ever walked off stage and felt like you just ran a marathon?</span></p>
<p><span class="font_regular">And not just your run-of-the-mill, "I'm so tired!" kind of beat, but the, "I honestly have nothing left to give," sort of exhaustion?</span></p>
<p><span class="font_regular">Being an artist can be hard, y'all.</span></p>
<p><span class="font_regular">And it's not all about the physical work. Granted, our toes bleed, our voices ache and our backs are sore, but what can take even more out of us is the mental grind of it all. </span></p>
<p><span class="font_regular">We know how much you give of yourself during a performance. Heck, even prepping for a show takes the kind of mental focus not required in a lot of other fields. </span></p>
<p><span class="font_regular">(Not to mention your hoards of fans vying for your attention...👀)</span></p>
<p><span class="font_regular">So, when the going gets tough, how do you stay at the top of your game and recharge those inner artistic batteries?</span></p>
<p><span class="font_regular"><span style="color:#cc0066;"><strong>Feel the feels </strong></span>- It's always wonderful when you start a new show and a little sad when it ends. Rather than fighting those feelings, try being a "mindful observer."</span></p>
<ul> <li><span class="font_regular">From the first day of rehearsal to the final curtain, what feels good about the process?</span></li> <li><span class="font_regular">What is a different way to interpret that scene or vocal line? </span></li> <li><span class="font_regular">What new things are you discovering along the way?</span></li>
</ul>
<p><span class="font_regular">Rather than beat yourself up, ask questions that keep you in a nonjudgemental mindset and move you toward positive change in your art.</span></p>
<p><span class="font_regular"><span style="color:#cc0066;"><strong>Feed your soul</strong></span> - You can't drive a car if your tank is on zero- and it's the same with our creative spirit. </span></p>
<p><span class="font_regular">For example, it's easy to listen to the same three artists on repeat. But, if you motivate yourself to find <em>new</em> artists in a wider variety of genres, it often leads to inspirational <em>new</em> ideas (funny how that works, huh? 😆) Adding a new show or artist to your playlist can inspire you to think of things you'd never thought possible. </span></p>
<p><span class="font_regular">We encourage you to read new books, listen to different music, and see as much theatre as possible. Also, try hitting a museum or grab a book on visual art to feed your creative spirit.</span></p>
<p><span class="font_regular"><span style="color:#cc0066;"><strong>Focus your mind</strong></span> - Meditation is hard. We know. </span></p>
<p><span class="font_regular">You may be thinking, "Who has the <em>time</em> to create all of these positive <em>new </em>habits?!" </span></p>
<p><span class="font_regular">You do. We promise. </span></p>
<p><span class="font_regular">In the grand scheme of things, it's less about time and more about consistency. </span></p>
<p><span class="font_regular">You don't need an hour of soul-shaking transcendence with incense and wind-chimes. Just find 5 - 10 minutes a few days a week to meditate in a "sacred space" behind closed doors.</span></p>
<p><span class="font_regular">Try to put it on the schedule and <em>keep</em> that appointment with yourself. In the beginning focus can be hard, but it does get easier, and the benefits are well worth the effort.</span></p>
<p><span class="font_regular"><span style="color:#cc0066;"><strong>Find your tribe</strong></span> - Why do most people fail at something? They lack support. </span></p>
<p><span class="font_regular">Being around others who share your goals and work ethic makes it infinitely easier to resist getting pulled down into Instagram FOMO. A tribe can help encourage your creative spirit and hold you accountable to take action. </span></p>
<p><span class="font_regular">Get online and start looking for groups like the Connected Performer's <a contents="BUILD YOUR BOOK, BOOK MORE WORK " data-link-label="" data-link-type="url" href="https://www.facebook.com/groups/buildyourbook.bookmorework"><strong>BUILD YOUR BOOK, BOOK MORE WORK</strong> </a>group on Facebook! </span></p>
<p><span class="font_regular">You can even take the initiative to start a monthly brainstorming group with friends and colleagues- complete with food and drinks! Who would say no to that?</span></p>
<p><span class="font_regular"><font size="3">Here's a reading list to get you started on recharging your inner artist:</font></span></p>
<p><span class="font_regular"><a contents="The Artist's Way" data-link-label="" data-link-type="url" href="https://www.amazon.com/Artists-Way-25th-Anniversary/dp/0143129252/ref=sr_1_1?dchild=1&keywords=the+artist+way&qid=1610303095&sr=8-1"><em><font size="3">The Artist's Way by Julia Cameron</font></em></a></span></p>
<p><span class="font_regular"><a contents="Steal Like an Artist by Austin Kleon" data-link-label="" data-link-type="url" href="https://www.amazon.com/Steal-Like-Artist-Things-Creative/dp/0761169253/ref=sr_1_1?crid=2EZKZCXDG71X6&dchild=1&keywords=steal+like+an+artist+by+austin+kleon&qid=1610303171&sprefix=steal+%2Caps%2C186&sr=8-1"><em><font size="3">Steal Like an Artist by Austin Kleon</font></em></a></span></p>
<p><span class="font_regular"><a contents="The Creative Habit by Twyla Tharp &amp; Mark Reiter" data-link-label="" data-link-type="url" href="https://www.amazon.com/Creative-Habit-Learn-Use-Life/dp/0743235274/ref=sr_1_1?crid=2I89CKQM6RBXC&dchild=1&keywords=the+creative+habit+by+twyla+tharp&qid=1610303203&sprefix=the+creative+ha%2Caps%2C221&sr=8-1"><em><font size="3">The Creative Habit by Twyla Tharp & Mark Reiter</font></em></a></span></p>
<p><span class="font_regular"><a contents="The War of Art by Steven Pressfield" data-link-label="" data-link-type="url" href="https://www.amazon.com/War-Art-Through-Creative-Battles/dp/1936891026/ref=sr_1_1?dchild=1&keywords=the+war+of+art&qid=1610303231&sr=8-1"><em><font size="3">The War of Art by Steven Pressfield</font></em></a></span></p>
<p><span class="font_regular"><a contents="A Whack on the Side of the Head by Roger von Oech" data-link-label="" data-link-type="url" href="https://www.amazon.com/Whack-Side-Head-More-Creative/dp/0446404667/ref=sr_1_1?crid=SKAS9RDRCLI4&dchild=1&keywords=a+whack+on+the+side+of+the+head&qid=1610303257&sprefix=a+whack+o%2Caps%2C180&sr=8-1"><em><font size="3">A Whack on the Side of the Head by Roger von Oech</font></em></a></span></p>
<p>How do you recharge your inner artist? Let us know in the comments below!</p>The Connected Performertag:theconnectedperformer.com,2005:Post/65140382021-02-10T21:15:50-05:002021-03-04T19:34:46-05:00How Effective is Your Warm-up?<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/ab3868ed8d20d4517aa71f3a1e89f001a4cfcd80/original/the-two-choices-an-actor-must-face-17.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="musical theatre vocal warmup" /></p>
<p>If you're a "good" musical theatre singer, you burst into song all the time, right?</p>
<p>Not necessarily.</p>
<p>Some of us love to belt it out all day, but there are those of us who prefer our warm-up and practice time to be in private. If you're one of those folks, you're not alone. </p>
<p>Neither of us likes doing vocal warmups when anyone else is around.</p>
<p>Yep, we're both professional singers and we don't go around singing all day. </p>
<p>Maybe it's ironic or even weird. But warm-ups can be very personal. </p>
<p>There are many different camps regarding warm-ups, but most people fall into one of these categories:</p>
<p><strong><span style="color:#cc0099;">Camp A - "Sing out, Louise!"</span></strong></p>
<p>This is the type that rolls into the rehearsal or show, and what happens, happens. We have a handful of friends in the business who are exactly like this, and they always have a great show. Break those legs!</p>
<p><strong><span style="color:#cc0099;">Camp B - By the book.</span></strong></p>
<p>These are the types of vocalists whose training, like ours, was based in a classical approach that focused on vocalise: a steady diet of humming, scales and octave slides using syllables and vowels that can help improve flexibility, pitch and tone. </p>
<p>Finding what works for you is a never-ending game of trial and error. As you age and grow as an artist, your voice ages and grows along with you. This makes it super-important to understand HOW your body produces sound. </p>
<p><strong><span style="color:#336699;">A Connected Performer Warm Up</span></strong></p>
<p><font size="3">We are not saying that it's our way or the highway! The mechanics of the way we all produce sound is similar, but your body composition and how you actually do it is unique to YOU. </font></p>
<p><font size="3"><strong>Connect the breath. </strong>Sound needs support. Focus on the connection of breath to sound to start. Simply take 3 or 4 deep, low, intentional breaths. You immediately become more calm and grounded just by focusing on your breathing. </font></p>
<p><strong>Work those muscles</strong>. Regardless of your warm-up method, the goal is to get the vocal muscles moving without overextending.</p>
<ul> <li>One method is to start with a light humming on the "ng" sound, because it gets the resonators going. Then, slowly open up to vowels, starting in a very easy 3 or 5 note range right around the speaking voice.</li> <li>As you progress, open up the range little by little, making sure to keep the sound easy and gentle.</li> <li>Jumping right to the power notes tends to add stress to the voice, so I save the "big" notes to the end.</li> <li>Another options is lip trills. This consists of blowing through your lips while doing an octave slide.</li>
</ul>
<p>Either way, start gentle- remember this is a warm-up to the big event. </p>
<p><strong>Move it, Buddy</strong>! When warming up, don't forget the rest of your body. You don't just sing from the neck up! Your entire body is the instrument, so get your body connected to the sound. Move around, stretch and find where you are holding tension, then do things to release it.</p>
<p>We're devoted work-out junkies. Everyday (performance or no), we need to get our bodies going first thing in the morning. Kevin loves to jump on a treadmill, elliptical or weight training. Natalie is more inspired by classes like Zumba, kickboxing and Yoga. </p>
<p>No matter what, it's important to keep the body loose and tension free...listen to your body.</p>
<p>Is there a "perfect" warm up out there for you? You bet there is! You get to cherry-pick what works for you! </p>
<p>Try different methods until you find a routine that you love. There are even warm ups on Spotify and Apple Music that you can start using today. </p>
<p>Check us out at <a contents="theConnectedPerformer.com" data-link-label="Home" data-link-type="page" href="/home">t</a><a contents="heConnectedPerformer.com" data-link-label="Home" data-link-type="page" href="/home">heConnectedPerformer.com</a> and, if you haven't done this already, sign up for a FREE session and we can talk you through it.</p>
<p>Until then, drink water, breathe and YOU do YOU!</p>
<p>Let us know in the comments what you've found that works for you.</p>The Connected Performertag:theconnectedperformer.com,2005:Post/65140342021-01-08T16:47:08-05:002021-03-04T19:35:20-05:00Risky Business<p><span style="color:#16a085;"><em><span class="font_xl"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/6cb994545d0592b9ae48163e12c6dfc55c52a763/original/the-two-choices-an-actor-must-face-15.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="Taking risks in theatre" />"Only those who will risk going too far can possibly find out how far it is possible to go." - T.S. Eliot</span></em></span></p>
<p><span class="font_large">Have you ever seen someone else living the life you wanted, then looked at your own and thought, "Why didn't I end up THERE?"</span></p>
<p><span class="font_large">It can lead to the worst paralysis, which just leads you further down the rabbit hole of despair.</span></p>
<p><span class="font_large">So, what IS the gap between where you are and where you want to be?</span></p>
<p><span class="font_large">Most likely, it's your need to play it safe. </span></p>
<p><span class="font_large">If you're going to live an extraordinary life, you have to take extraordinary risks. </span></p>
<p><span class="font_large">In one of our sessions, we worked with a client who has been in the business for a long time. She toured for the first six years of her career, but the she got tired of being on the road and her performance career took a back burner. </span></p>
<p><span class="font_large">She came to us two years ago with the goal of rebuilding her vocal technique and shifting her life back into performance mode. About six months ago, Kevin suggested, "Take a leap of faith and make new opportunities for yourself. It's time to build a show, and market the hell out of it".</span></p>
<p><span class="font_large">Panic came over her face as she slowly sank into her chair. "That seems way too risky and the thought of it is terrifying", she said. "Where would I even begin?"</span></p>
<p><span class="font_large">She proceed to come up with at least a dozen reasons why she couldn't possibly take that step, and we had to stop her. "Look at the repertoire you've built over the past year. Find the pieces that speak to you and put them on a list. Then, look at that list every day and see if it sparks an idea."</span></p>
<p><span class="font_large">She finally decided to take the leap and now we're working to put it all together. Each session we watched her confidence grow and now she's super pumped about this "risky" idea. </span></p>
<p><span class="font_large">Today in session, she confided, "I've been thinking- in the beginning, building my own show almost had me in the fetal position. Now, I'm so glad you've encouraged me to do this. Not only have you held me accountable and focused on a goal, but It made me realize that I'm way too old to be afraid of anything!" </span></p>
<p><span class="font_large">Isn't that the truth? Throughout our lives, we find ourselves overanalyzing every potentially life-changing decision, and letting fear paralyze us. </span></p>
<p><span class="font_large">But if you think about it, we take risks every single day. From little things- like eating food from a sketchy food truck, to saying YES to a fabulous new project- and we come out on the other side with the feeling of satisfaction that we "did the thing!"</span></p>
<p><span class="font_large">It's a cliche, but life is too short. Make the choice to take that risk. </span></p>
<p><span class="font_large">As Jimmy Carter once said, <span style="color:#16a085;"><em>"Go out on a limb. That's where the fruit is."</em></span></span></p>
<p><span class="font_large">Let us know about the "risks" you've taken in your career in the comments below. </span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64924672021-01-05T12:17:11-05:002021-03-04T19:35:39-05:00Confessions of a Procrastinator<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/f21263ac41728bf668f208fe484555b92c26c86b/original/d344d6ca-2c88-4c1c-bcf1-417c1bbde917.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="how to stop procrastinating now" />Ok, so we can admit it...we're couch potatoes by nature. Between the two of us, we've tried every app, book, and system to get motivated. </p>
<p>We know we're not alone in this because so many performers suffer with procrastination issues. But let's face it: putting things off until the last minute or until it's too late does nothing more than cause MORE stress, so why do we do this to ourselves?</p>
<p>It can happen because for a myriad of reasons. Some of us just feel overwhelmed. Some of us aren't great multitaskers and doubt their ability to get it all done. Others keep letting the voice in their head tell them things like, "You're not smart enough, you're not attractive enough and you have no talent."</p>
<p>Whatever your Achilles heel is, there are ways to curb procrastination and emerge motivated and victorious!</p>
<p>(Ok, ok... so maybe it won't make you feel like Frodo, carrying the ring to it's final destination in Mordor, but you get the point.)</p>
<p><strong>Here are a few ways to overcome your procrastination:</strong></p>
<p><span style="color:#b41076;"><strong><span class="font_large">Eliminate distractions</span> </strong></span>- If you're like us, working from home, there is ALWAYS something that "needs" to get done that's easier or more enjoyable. Just walking from the desk to get a drink in the kitchen, there are rooms that need to be cleaned, laundry that needs to be folded, dogs to be walked and Prime shows that aren't going to watch themselves.</p>
<p>The best way we've discovered to diminish the power of those distractions is to close the door to the office, clear off the desk and focus on one task at a time.</p>
<p> </p>
<p><span style="color:#b41076;"><span class="font_large"><strong>Break up the task</strong></span></span> - The thought of working on the same project for 8 hours, or until it's done, is NOT appealing.</p>
<p>So, start by setting a timer and breaking up the project into smaller bits. </p>
<p>For instance, in order to start the process of building a new cabaret show, set a timer for 30 - 45 minutes with a single task- like selecting music and working until the timer goes off. </p>
<p>Then, walk away and take a short 5-minute break. For those of us who are HARD-CORE procrastinators, it's a good idea to set a timer for your break, too.</p>
<p> </p>
<p><span style="color:#b41076;"><span class="font_large"><strong>Find an accountability buddy</strong></span></span> - Procrastinators need support. Someone to hold our feet to the fire and encourage us to keep going.</p>
<p>Public shaming also works wonders. Ask your buddy to make sure you complete your task for the week- and if you don't- it's their job to post all about it on Instagram. (Make sure you pick your friend who will ACTUALLY go through with this.)</p>
<p> </p>
<p><strong><span style="color:#b41076;"><span class="font_large">Final word:</span></span></strong></p>
<p>Stop beating yourself up. We all have shortcomings, and the last thing we need is more guilt in our lives.</p>
<p>Start small and keep going! When you complete a task, reward yourself with a Chai Tea Latte... </p>
<p> </p>
<p>Let us know how you win the battle with your procrastination in the comments below! </p>The Connected Performertag:theconnectedperformer.com,2005:Post/64223402021-01-05T12:16:48-05:002021-03-04T19:36:16-05:00Should I Stay or Should I Go?<p><span class="font_xl"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/eecb5c266e3bd9d43248881939c5357037369748/original/1.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="should I leave my acting career behind" />O</span><span class="font_large">ften, o</span><span class="font_large">ur self-worth is wrapped up in how much we're booking. </span></p>
<p><span class="font_large">There, we said it. </span></p>
<p><span class="font_large">That's not how it should be, but unfortunately, most professional actors live a life of self-doubt. So, don't feel alone if sometimes your confidence feels like it's circling the drain. </span></p>
<p><span class="font_large">“What if I never book another gig?" </span></p>
<p><span class="font_large">"What if I can’t support myself?"</span></p>
<p><span class="font_large">"What if I have to get a <em>regular</em> job?” </span></p>
<p><span class="font_large">"What if?!" </span></p>
<p><span class="font_large">For most of us, those two words are paralyzing. </span></p>
<p><span class="font_large">Here’s the thing: so many performers give up because they failed to approach their acting business like a CAREER.</span></p>
<p><span class="font_large">If you reach this point of frustration, and feel like throwing in the towel, then you have two options: </span></p>
<p><span class="font_large"><strong><span style="color:#cc0066;">Choice #1:</span></strong> Stop it. </span></p>
<p><span class="font_large">Get off your couch, push away from Netflix and the cheesy poofs and <strong>make a plan</strong>. </span></p>
<p><span class="font_large">Let's put it a different way. </span></p>
<p><span class="font_large">Say you’ve just purchased the Ikea KULLEN night stand. You don’t dump everything in the center of the room, “wing” it, and hope for the best. Instead, you systematically follow the instructions. </span></p>
<p><span class="font_large">If you don’t, you risk ending up like Blind Al (Leslie Uggams in <em>Deadpool</em>) who assembles it, only to walk away and have it immediately fall apart. </span></p>
<p><span class="font_large">Following the plans will result in producing a solid piece of furniture. </span></p>
<p><span class="font_large">In your case, if you follow the plan, you can create a solid career. Even if you feel like you're starting with just the L-wrench that came in the box. </span></p>
<p><span class="font_large">Planning and consistency will get you everywhere. </span></p>
<p><span style="color:#cc0066;"><span class="font_xl">Choice #2:</span></span><span class="font_large"> Reevaluate your trajectory.</span></p>
<p><span class="font_large">I had a friend in college who went to university for four years, and got all the way to the final semester of her Elementary Ed Degree. That final Spring semester, she showed up to her first day as a teacher’s assistant ready to begin her new life. She made it two hours into the day before she discovered that she hated working with kids. (Cue Debbie Downer sound effect). Just like teaching, this career is not for the faint of heart. If you aren’t getting the jobs you want, are emotionally spent and just can’t put yourself out there anymore, then maybe it IS time for the backup plan, and that is OK. We can lead a meaningful and fulfilled life doing just about anything. I’m serious. If it’s not working, then just like Bernadette sings at the end of act 2 in “Sunday in the Park with George”... MOVE ON. I would never tell a client to quit the business, but sometimes you reach a point when you have to make a choice, and...I can’t stress this enough...it’s OK. </span></p>
<p><span class="font_large"><strong>Both choices are valid.</strong> </span></p>
<p><span class="font_large">If you choose <span style="color:#cc0066;">OPTION 2</span>, then it’s time for some soul searching to find your next passion. There are so many other ways to have a career within the arts community, or you could go a totally different direction, follow your bliss and think of it as a new beginning. </span></p>
<p><span class="font_large">If you choose <span style="color:#cc0066;">OPTION 1</span>, then it’s time to get to work and broaden your scope. What worked before isn’t working anymore, so you need to regroup and MAKE A PLAN. Set attainable goals, get comfortable with self-tape, invest in yourself and get a career coach who can be your Sherpa through the mountains of musical theatre, and keep you motivated all the way to the top. </span></p>
<p><span class="font_large">They say “big journeys begin with small steps”. I don’t know who “they” are, but those wise dudes are giving some solid advice. </span></p>
<p><span class="font_large">One direction or the other...you just have to </span><span class="font_xl"><em>take a step</em></span><span class="font_large">. </span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span style="color:#16a085;"><span class="font_large">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64639182021-01-05T12:16:37-05:002021-03-04T19:36:47-05:00Tired of Stage Fright? Try these tips.<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/98f4dca74aad47140ccbb3fef851815457f66a1e/original/the-two-choices-an-actor-must-face-13.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="how to overcome stage fright" /><span class="font_large">A dear friend, who is a phenomenal actor and sings like he was blessed by Apollo himself, has an issue... he frequently feels overcome with stage fright. </span></p>
<p><span class="font_large">This comes from a fear of being compared or judged. </span></p>
<p><span class="font_large">Now, this is an actor who has worked on exceptional projects, non-stop, for almost two decades. But he slowly stopped auditioning because he was crippled by fear. </span></p>
<p><span class="font_large">It takes a ballsy person to be an actor. If you're willing to put yourself on display, pouring your heart into every performance, pushing your body and voice to the limit show after show, there's a pretty good chance that your brain knows how to work overtime. Which means you might second-guess yourself, from time to time.</span></p>
<p><span class="font_large">But, what if this becomes more than an every-once-in-a-while-occurrence?</span></p>
<p><span class="font_large">If you crave the spotlight, but stage fright gets the better of you- how do you begin to regain your confidence? </span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Practice positive self-speak.</strong></span><strong> </strong>We become what we tell ourselves, so practice speaking kindly to yourself.</span></p>
<p><span class="font_large">It's interesting that we can encourage and lift up others, but we have a hard time encouraging or lifting up ourselves. Positive affirmations may sound kooky, but we use them to revitalize, empower and reassure us that the positive things we say are becoming our reality. </span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Surround yourself with the right people</strong>.</span> There is a phrase that says "Your circle should want to see you win. Your circle should clap loudly when you have good news. If not, get a new circle". Enough said.</span></p>
<p><span style="color:#b41076;"><span class="font_large"><strong>Trust & Allow.</strong></span><span class="font_xl"><strong> </strong></span></span><span class="font_large"> Kevin says this a LOT. It's because there is so much truth to this statement!</span></p>
<p><span class="font_large">You've put in the work, so TRUST that everything you've done to fine tune your performance will be there, and ALLOW yourself to be in the moment and enjoy it.</span></p>
<p><span class="font_large"><strong><span style="color:#b41076;">Own what YOU do well.</span> </strong>Stop comparing yourself to others. </span></p>
<p><span class="font_large">Are you a singer who doesn't really dance? Own it. </span></p>
<p><span class="font_large">Do you relate to quirky and awkward characters? Own it! </span></p>
<p><span class="font_large">Do you have an 9 note vocal range? Own it.</span></p>
<p><span class="font_large">We all have things that make us unique and valuable as performers. Stop worrying about the other people in the room, use the reality of your situation and DO YOUR THING!</span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Haters gonna hate.</strong></span> An unfortunate, but unchangeable fact is that people will judge. You CAN choose to look past their judgement.</span></p>
<p><span class="font_large">Remember that judgement typically comes from a place of insecurity. If people are sitting around thinking about you, then you must be pretty special, right? </span></p>
<p><span class="font_large">As Natalie's grandfather always said, "No one's jealous of an ass." </span></p>
<p><span class="font_large"><font size="3">Maybe if those same people worried a little more about them, and a little less about you, they'd be a whole lot happier with a lot less time to gossip. </font></span></p>
<p> </p>
<p><span class="font_large">Be kind to yourself. Talk about how you're feeling. Give yourself some compassion. </span></p>
<p><span class="font_large">If you stop to think about it, you're pretty freakin' amazing.</span></p>
<p> </p>
<p><span class="font_large">Let us know how you handle stage fright in the comments below. </span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64239662020-11-06T17:54:38-05:002021-03-03T16:29:43-05:00How to Choose Songs for Your Book<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/e56edbf8c82aa64f5eaea08f9abde6fa25b30500/original/4.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="talktype how to cut music audition book the audition book professional performer cutting music free audition cuts cut the music up audition book musical theatre musical theatre audition book college audition prep 16 bar cut audition songs" /></p>
<p><span class="font_xl"><strong><em>Suggestions</em></strong></span><span class="font_large"><strong><em>.</em></strong> </span></p>
<p><span class="font_large">No doubt you have friends, family, teachers and coaches all throwing “perfect” audition songs your way. And because "they" know best, you put them right in your book. </span></p>
<p><span class="font_large">But should you? </span></p>
<p><span class="font_large">Before a song takes up permanent residence in your audition book, ask yourself these five questions: </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>1. Does this person know me and my type?</strong></span> </span></p>
<p><span class="font_large">When choosing audition material you want to look for characters that <strong>you can play now</strong>. </span></p>
<p><span class="font_large">Are you a 20-something? If so, you probably shouldn't do “Rose’s Turn” from <em>Gypsy</em>, because you’re just not there yet. Instead, look for characters that you could step into if they called you tomorrow. </span></p>
<p><span class="font_large">One way to find new material is to discover your musical theater doppelganger (this is someone you look and sound like.) </span></p>
<p><span class="font_large">If you want to learn how to do it, click here to get a copy of our <strong>FREE COURSE</strong>: <span style="color:#2980b9;"><strong>BOOK MORE WORK: Discover your Type and Choose the Right Audition Song Every Time.</strong></span></span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>2. Does the song GO anywhere?</strong></span> </span></p>
<p><span class="font_large">If it tells a story, most people can relate to it. </span></p>
<p><span class="font_large">The problem with finding a 16 or 32-bar cut is that it isn’t always <strong>clear what the character is saying</strong>. And without intention, you’re just another pretty face. </span></p>
<p><span class="font_large">If you write out the lyrics of your song, they should make sense. Don't show up with a song that only tells half a thought. </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>3. Does it show you off? </strong></span></span></p>
<p><span class="font_large">In an audition cut, casting directors want to see the best of YOU. The <em>real</em> you. Do you <strong>tell an honest story</strong> in this song? </span></p>
<p><span class="font_large">Also, <strong>if the melodic line of the song doesn’t go anywhere</strong>, then it's time to keep searching. </span></p>
<p><span class="font_large">Keep in mind, you don’t have to sing to the extreme parts of your range. A good question to ask yourself is, “Can I roll out of bed and nail the money note consistently?” </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>4. Does this song round out my book?</strong></span> </span></p>
<p><span class="font_large">We get it. You feel like ballads show off your range. But keep in mind that <strong>an audition is about more than just pretty singing</strong>. </span></p>
<p><span class="font_large">We firmly believe that your audition book should have many more uptempos than ballads.</span></p>
<p><span class="font_large">Unless you're auditioning to be a torch singer, keep the mood light. </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>5. Do I love this song?</strong></span> </span></p>
<p><span class="font_large">This is <strong>the most important question</strong>. </span></p>
<p><span class="font_large">You have to like it. If you don't connect with the song, <strong>DON'T SING IT</strong>. We don’t care who suggested it. If your heart isn’t in it, everyone can tell. Your audition shouldn’t be a chore.</span></p>
<p><span class="font_large">In summary- load up that book with a variety of songs you connect to, can sing at a moment's notice, and tell your story clearly. </span></p>
<p><span class="font_large">Now, the next time someone suggests a song for you, listen to it and answer these five questions. If it fits, you've got yourself a winner!</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span style="color:#16a085;"><span class="font_large">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/a4923dc6eb25d01a411555f96a4811c9e671c65b/original/the-two-choices-an-actor-must-face-10.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_thick" alt="" /></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64264562020-11-04T15:12:17-05:002021-03-04T19:37:06-05:00Come to the Cabaret!<p><font size="3"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/a632db094f7dcd96296d8eecd8aed5f91755a421/original/the-two-choices-an-actor-must-face-9.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="how to write your own show" /></font></p>
<p> </p>
<p><font size="3"><span class="font_xl">H</span>ave you always wanted to create a cabaret of your own, but didn't really know where to start? </font></p>
<p><font size="3">Between the two of us, we've created more than three dozen shows. Here are a few take aways:</font></p>
<p> </p>
<p><font size="3">1. They're a lot of work.</font></p>
<p><font size="3">2. They can be the most rewarding experience of your professional life.</font></p>
<p> </p>
<p><font size="3">Anyone who has gone to the trouble of putting together a cabaret will tell you that it's an extremely satisfying experience. So, where do you start? Here are some tips on creating your star vehicle.</font></p>
<p><font size="3">One of the great things about cabaret is that it allows the audience to get to know the performer more intimately. Your fans like seeing you in a show, but they LOVE to find out all about your life. </font></p>
<p><font size="3">There are a lot of questions to ask yourself. Let's begin with some of the basics:</font></p>
<p><font size="3"><span style="color:#b41076;"><strong>Make it specific</strong></span></font></p>
<p><font size="3">The beauty of cabaret is that the options are only limited to your imagination. One way is to organize your show around a particular composer, artist or genre.</font></p>
<p><font size="3">Start by thinking of your audience. Who will you entertain with your hour of songs and stories? People <strong>love what they know</strong>, so make sure to pick songs that appeal to your ticket buyers. </font></p>
<p><font size="3"><span style="color:#b41076;"><strong>Start selecting music</strong></span></font></p>
<p><font size="3">You can go about this in two ways:</font> </p>
<p><font size="3">1. Choose a theme, then pick the songs.</font></p>
<p><font size="3">2. P</font><font size="3">ick songs you want to sing, then build the show around them.</font></p>
<p><font size="3">Both ways work. </font></p>
<p><font size="3">We like to keep lists of songs on our phones. When you a hear song you love, immediately put it on the list. Now when it comes time to build a show, you'll have lots of song ideas to pull from! </font></p>
<p><font size="3">You can also make playlists in Spotify or Apple Music and come back to them when the time is right. </font></p>
<p><font size="3"><span style="color:#b41076;"><strong>Get it in front of you</strong></span></font></p>
<p><font size="3">Put songs on sticky notes and put them on a story board. This</font><font size="3"> way it's constantly in your face. Don't worry, the running order will change multiple times during the creative process.</font></p>
<p><font size="3">Keep trying different song orders until you've got your perfect combination. And remember it can keep changing- even after you've performed it a few times!</font></p>
<p><font size="3"><strong><span style="color:#b41076;">Work with your pianist</span></strong></font></p>
<p><font size="3">Brainstorm together. Talk about your vision and bounce ideas off of each other. It's always a blessing to have a second pair of eyes on a project.</font></p>
<p><font size="3"><span style="color:#b41076;"><strong>Make a plan</strong></span> </font></p>
<p><font size="3">Outline what you plan to talk about in your show. If you need a script to stay on track, then write it all out. If you want a more off-the-cuff vibe (and improv comes easy to you) feel free to let it flow naturally. The important thing is connecting with the audience and making them feel included.</font></p>
<p><font size="3">Whichever plan you decide, also expect the unexpected. Hecklers, texters, phone call takers- even people passing through your stage to grab another drink- we've seen it all. Be sure to take it in stride and know that the audience is on your side. </font></p>
<p> </p>
<p><span class="font_large"><font size="3">Cabaret may be the single most freeing experience of your career. You're your own Ring Master!</font></span></p>
<p><span class="font_large"><font size="3">It's you, a mic, the music and an audience...what could be more perfect?</font></span></p>
<p> </p>
<p><font size="3">What's your favorite experience as a cabaret performer or audience member? Let us know in the comments below!</font></p>
<p> </p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span style="color:#16a085;"><span class="font_large">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64264572020-11-03T17:35:43-05:002022-06-01T21:12:56-04:00Time Management and the Actor<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/1da42fdebfce118dc8de23eeb3a4fe199d30b6ba/original/the-two-choices-an-actor-must-face-4.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="how to make better use of your schedule" /></p>
<p><span class="font_xl">D</span><span class="font_large">o you ever feel like being an actor is a full-time job with a part-time paycheck? </span></p>
<p><span class="font_large">Almost every actor has multiple jobs. Even celebrities like Jessica Alba (Honest Beauty), Ryan Reynolds (Aviation Gin) and Jared Leto (Reddit... yep, you read that right) have their hands in other businesses. </span></p>
<p><span class="font_large">So, how are you supposed to balance your day job, auditions, rehearsals, personal life, and self-care without getting so overwhelmed that you crawl to the fetal position?</span></p>
<p><span class="font_large">Here are some of our favorite ways to manage your time to help you manage your life.</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>Monday Morning Meeting</strong></span></span></p>
<p><span class="font_large"><strong><span style="color:null;">KEVIN: </span></strong>I've made it a habit to set a meeting with myself every Monday morning. During this session I look at my tasks for the upcoming week and make a list. </span></p>
<p><span class="font_large">This includes every new project, client session, rehearsal, workout and even some personal time. Once I have a clear vision of what needs to happen, I create a plan of action. Being the type-A person that I am, rather than saying "I'll get to that at some point this week," I set a specific day and time to have it completed. </span></p>
<p><span class="font_large"><strong>NATALIE</strong>: I don't really work in "weeks"- I'm more of a monthly/daily gal. I keep a big wall calendar up that shows me what my month looks like at a glance and I use my iCal to keep my daily appointments straight. </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>Keep a calendar</strong></span></span></p>
<p><span class="font_large"><strong>KEVIN</strong>: I can plan all day long, but if it doesn't make it into my calendar, the odds of it being completed are slim to none. I use my iCal and Reminders on my phone to keep me on track. This is perfect for me because some things need immediate attention while others are more of a long term plan.</span></p>
<p><span class="font_large"><strong>NATALIE</strong>: Ditto! But, like I said, I use my iCal plus a big dry erase calendar on the wall. It's important that my work things are shared with Kevin, but that my personal times are kept current, too. The only way to do this is to keep everyone accountable... and color coded. ;)</span></p>
<p><span class="font_large">I also need to remember that some weeks will be light and others will be crazy. I look at the balance of the month rather than the time spent on a project in a single day. </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>Get it in front of you</strong></span></span></p>
<p><span class="font_large"><strong>KEVIN:</strong> I love post-it notes...just ask my business partner. I use these colorful little gems for everything from reminders to call Mom, to jotting down ideas or creating a new cabaret line-up. Here's the trick...make sure at the end of the day you collect all your notes in one place. Post-it actually has an app that allows you to take pics of your paper notes, and add them to a file. That's COOL, IKR!?!?</span></p>
<p><span class="font_large"><strong>NATALIE: </strong>Kevin and his Post-It Notes. (SMH- He isn't kidding...) </span></p>
<p><span class="font_large"><font size="3">I'm not as naturally as organized as Kevin, so I need everything in a notebook. I like the cute little blank ones from places like TJ Maxx or Marshalls. I always keep one on hand to make lists of things like daily tasks & show ideas.</font></span></p>
<p><span class="font_large"><font size="3"><strong>BONUS</strong>: For those of you who work in teams, get yourself a Google Drive so you can work in tandem. It's totally free and a total lifesaver. </font></span></p>
<p><span class="font_large"><strong><span style="color:#cc0066;">The power of NO</span> </strong></span></p>
<p><span class="font_large"><strong>KEVIN: </strong>This is a little more difficult because we want to be all things to all people. You can't- and that's OK. Learn to be more discerning about which projects you take on. </span></p>
<p><span class="font_large">The first few times of telling people NO will send your guilt skyrocketing. It's ok. This little word is really the key to finding the balance you crave.</span></p>
<p><span class="font_large"><font size="3"><strong>NATALIE:</strong> Hear, hear! (Once I learn how to do it, I'll let you know.)</font></span></p>
<p><span class="font_large">What are <strong>your</strong> tricks for time management? Let us know in the comments!</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span class="font_large"><span style="color:#16a085;">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>
<p> </p>The Connected Performertag:theconnectedperformer.com,2005:Post/64634672020-11-02T22:20:44-05:002023-12-10T12:43:41-05:00How to Cut Music for Your Audition Book<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/00bee931d1e550f2d88469d80533fd8c4dda8212/original/the-two-choices-an-actor-must-face-11.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="talktype how to cut music audition book the audition book professional performer cutting music free audition cuts cut the music up audition book musical theatre musical theatre audition book college audition prep 16 bar cut audition songs" />In addition to my performance career, I've been a Musical Director for a few decades. I've seen countless audition books and it always amazes me what singer/actors bring in for their "audition cuts". </span></p>
<p><span class="font_large">You can have an amazing voice that's <em>perfect</em> for the job, but if you haven't prepared your audition cut properly, you might as well have stayed home.</span></p>
<p><span class="font_large">But, don't worry. Cutting your music isn't as hard as you think. Back in the day, my friends and I would write all over our music, drawing huge arrows, circling key signatures and scribbling out measures. It ended up looking like a 4-year-old's drawing of "Mommy".<img src="//d10j3mvrs1suex.cloudfront.net/u/333758/8b4cdcbe8109f8dfb34bb0eb29d943e2a5e0c97b/original/the-two-choices-an-actor-must-face-8.png/!!/undefined/b:W1sic2l6ZSIsInNtYWxsIl1d.png" class="size_s justify_right border_none" alt="" /></span></p>
<p> </p>
<p> </p>
<p> </p>
<p><span class="font_large">Today, we have so much technology at our fingertips that there's really no excuse to have cuts like that in your book. If you like technology, you can use apps like <a contents="ForScore.com" data-link-label="" data-link-type="url" href="https://forscore.co">ForScore</a> or <a contents="FormulatePRO" data-link-label="" data-link-type="url" href="https://download.cnet.com/FormulatePro/3000-2079_4-173863.html">FormulatePRO</a> to cut your music. If you don't feel comfortable doing it yourself, ask a friend or find a service that will cut it for you. (P.S.- Websites like <a contents="MusicNotes.com" data-link-label="" data-link-type="url" href="https://www.musicnotes.com">MusicNotes.com</a> even have short or long audition cuts ready and available for purchase.)</span></p>
<p><strong><span class="font_large">Some tips on cutting the music yourself:</span></strong></p>
<ol> <li>
<span class="font_large"><span style="color:#b41076;">Timing is everything. </span>Rather than counting bars, use a stopwatch. By today's standards a <strong>16-bar cut = 30-45 seconds</strong> while a <strong>32-bar cut = 60-</strong></span><span class="font_large"><strong>90 seconds, </strong>depending on tempo. </span>
</li> <li><span class="font_large"><span style="color:#b41076;">Make sure it's a CLEAN COPY.</span> Some hard-to-find songs end up being a copy of a copy of a copy. Make sure that it is readable, and everything is legible. For example, if the bass line is cut off, it's time to find another copy. Purchasing your music on websites like <a contents="SheetMusicDirect.com" data-link-label="" data-link-type="url" href="https://www.sheetmusicdirect.com/en-US/">SheetMusicDirect.com</a> and <a contents="Musicnotes.com" data-link-label="" data-link-type="url" href="https://www.musicnotes.com">MusicNotes.com</a> make this really easy. (Bonus: You can change the song to your key!)</span></li> <li><span class="font_large"><span style="color:#b41076;">A basic way to find a 32, 16 or 8-bar cut:</span> Start at the end of the song and count backwards. Golden Age music is perfect for using this technique because they are usually a combination of verse, bridge and chorus. Contemporary shows can be harder because some are written as a "stream of consciousness" and don't necessarily follow the same pattern. Sometimes the "counting backwards" trick works for contemporary music, but be prepared to make some fancy interior cuts.</span></li> <li><span class="font_large">The <span style="color:#b41076;">TIME SIGNATURE & KEY SIGNATURE</span> <strong>must</strong> be visible.</span></li> <li><span class="font_large"><span style="color:#b41076;">Mark</span> the starting point, and the stopping point if it's not obvious.</span></li> <li><span class="font_large"><span style="color:#b41076;">A note on long notes</span>: If you are planning on holding a note longer than notated, then make sure to use a fermata (birds-eye) to hold the note, or a caesura (railroad tracks) if you want the pianist to stop before you continue.</span></li> <li><span class="font_large"><span style="color:#b41076;">Pages:</span> The final cut of your music should include as few pages as possible. Two pages is a perfect number, but sometimes the cut is longer and you can't avoid it, and that's ok. Just make it as easy on the pianist as you can.</span></li>
</ol>
<p><strong><span class="font_large">Some final thoughts:</span></strong></p>
<ul> <li><span class="font_large">If you are marking the music by hand, make sure to keep it neat and <strong>easy to read</strong>.</span></li> <li><span class="font_large">Use the <strong>punctuation of the lyrics</strong> as a guide. Make sure you're singing a complete thought and not starting mid-sentence.</span></li> <li><span class="font_large">If you put it into your book, you <em>must </em>know the <strong>entire song</strong>.</span></li> <li><span class="font_large">You should be able to sing <strong>every cut</strong> in your book <strong>from memory</strong> when you walk in the room.</span></li> <li><span class="font_large"><strong>Put your music in a binder</strong>.</span></li> <li><span class="font_large">The pianist (Musical Director or not) can make or break your audition, so <strong>always be kind and courteous</strong>. Please and Thank You are always appreciated.</span></li>
</ul>
<p><span class="font_large">You CAN do this.</span></p>
<p><font size="3">(PS- Always remember your book when you leave the room!)</font></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64241162020-10-19T23:50:00-04:002021-12-04T11:49:45-05:00Building Your Network<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/f614204d19350f3435a7ef8b16481f6e327a1b28/original/6.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="actors creating relationships with casting directors" /></p>
<p><span class="font_xl">N</span><span class="font_large">etworking is gross. </span></p>
<p><span class="font_large">We hate it. You hate it. </span></p>
<p><span class="font_large">And the reason we all hate it is that it feels like you're trying to get something that you don't deserve. It feels like you're using people. </span></p>
<p><span class="font_large">So, we're calling BS on telling you to go out there and 'BUILD YOUR NETWORK!' </span></p>
<p><span class="font_large">Instead, we want you to give. </span></p>
<p><span class="font_large">We want you to build relationships. </span></p>
<p><span class="font_large">We want you to CONNECT. (See what we did there?) </span></p>
<p><span class="font_large">After all, connecting is what performers are really, really good at. </span></p>
<p><span class="font_large">One of your superpowers is being open to new experiences. You're able to connect with new scene partners, stage managers and directors on a regular basis. </span></p>
<p><span class="font_large">So, let's explore how you can use that natural talent to your advantage when it comes to planning your career.</span></p>
<p> </p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Who should be part of your plan? </strong></span><span style="color:#cc0066;"><strong> </strong></span></span></p>
<ul> <li><span class="font_large">Teachers, Classmates, Directors, Musical Directors, Casting Directors, former cast members, friends, even family. Remember, you're giving these folks your attention and energy, not taking from them. Everyone is fair game. </span></li> <li><span class="font_large">Know who is working in the industry and in your market.</span></li> <li><span class="font_large">Resources like social media and online classes make getting connected more accessible than ever before. Just make sure to be respectful of others' time and privacy.</span></li>
</ul>
<p><span class="font_large"><span style="color:#b41076;"><strong>Know your goal. </strong></span>Get really clear about your FIRST goal. Keep in mind that you'll have many goals over the course of your career, but now is the time to laser focus on the one thing you'd like to do next. </span></p>
<p><span class="font_large">Do you want to book a regular gig as a cabaret artist? Do you want to be an actor in-residence? Or, do you want to build your own theatre complete with rehearsal space and a dance studio? </span></p>
<p><span class="font_large">Do research on people who have done what you want to do, learn the basics about them and look for common connections. You might know someone who has an uncle, who has a friend whose mother's nail technician has a sister who started a theatre company complete with studio! BOOM, connection. </span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Ask for advice.</strong></span> This is a great way to start a conversation, and most people love to talk about their experiences. If you are acquaintances, then asking a question via email, phone call or Zoom is a great way to get the ball rolling.</span></p>
<p><span class="font_large">If you have friends or a working relationship in the business, then ask to schedule a coffee or lunch date. Learn the art of asking people about themselves and be conservative with talking about yourself.</span></p>
<p><span class="font_large"><font size="3">Again, be conscious of people's time. If they tell you they have 10 minutes for a phone call, set a timer when you dial. </font></span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Listen.</strong></span><span style="color:#cc0066;"> </span><span style="color:null;">This is a great way to utilize what Uta Hagen calls <em>active listening</em>. Tell them what you're looking for, but don't dominate the conversation soliloquizing on your BIG PLANS. You're there to learn. Be present and absorb all the juicy information they have to share with you. </span></span></p>
<p><span class="font_large"><strong><span style="color:#cc0066;">Be visible.</span> </strong>Go to shows, attend classes and conferences, join social media groups. Be anywhere where there is a collective of people with the same mindset. Taking the initiative can be intimidating at first, but it does get easier the more you put yourself out there. </span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Follow up.</strong></span><span style="color:#cc0066;"><strong> </strong></span> A quick email thanking them (again) for their time is always appropriate, and let them know if something they suggested pans out. If THEY have a successful new venture, or are awarded an honor, then celebrate their achievements by sending a short, hand-written congratulatory note. </span></p>
<p><span class="font_large">We live in a marvelous age where connecting with people has never been easier. Use your resources to make the connections you need, and keep in mind: TALK LESS, LISTEN MORE. Remember, the world is run by those who show up.</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span class="font_large"><span style="color:#16a085;">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64264072020-10-12T23:50:00-04:002021-07-06T08:51:13-04:00Let's Talk Type.<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/2cb26e3576018fa5820b672e1c1452b32c51a4ed/original/the-two-choices-an-actor-must-face-5.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="talktype how to cut music audition book the audition book professional performer cutting music free audition cuts cut the music up audition book musical theatre musical theatre audition book college audition prep 16 bar cut audition songs" />Type. Essence. Vibe.</span></p>
<p><span class="font_large">Every actor has one. </span></p>
<p><span class="font_large"><font size="3">Does this mean you have to pigeon-hole yourself? No. </font></span></p>
<p><span class="font_large">Does it mean when you walk into the room you give off an energy unique to only you? You bet your Agent Meeting it does. </span></p>
<p><span class="font_large">But, here's the rub: how we see ourselves may be skewed from the way others see us. </span></p>
<p><span class="font_large">So, how do you find your type?</span></p>
<p><span class="font_large">Start by describing yourself. Are you quirky, brooding or effervescent? Are you athletic or curvy? Are you fragile, easy-going or powerful? Don't be surprised if this sort of self-reflection is difficult or you still really don't know where you fit. </span></p>
<p><span class="font_large">Here are a few ways to get a better idea of how the world sees you:</span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Three Adjectives: </strong></span></span></p>
<p><span class="font_large">Ask a wide range of friends, teachers, and co-workers for 3-5 adjectives to describe you. This exercise can be very enlightening. Make a list and see which words (or similar ones) keep cropping up again and again. </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Know Your Age Range:</strong></span></span></p>
<p><span class="font_large">Start with your actual age. (We realize this may not be the most popular advice...)</span></p>
<ul> <li><span class="font_large">Typically, the average for stage is 8-10 years. (The range is smaller the younger you are.) </span></li> <li><span class="font_large">On-camera work is much closer to your actual age- usually 3-5 years. </span></li>
</ul>
<p><span class="font_large">Own your age and use it to your advantage. </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Know your vocal type:</strong></span></span></p>
<p><span class="font_large">A sassy and brassy friend with a gorgeous mezzo voice was told by a director that she should be a belter. She didn't look like the typical ingenue, and was far too young to play motherly roles. </span></p>
<p><span class="font_large">So, she spent the rest of her conservatory time learning how to belt. Subsequently, she booked a lot of brassy roles. Now that she's older, she can use it to her advantage and naturally transition into using her mezzo range.</span></p>
<p><span class="font_large">If you're confused by your vocal type, working with a great vocal teacher or coach can be a huge help in finding your true voice. </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#b41076;"><strong>Doppelgänger:</strong></span></span></p>
<p><span class="font_large">(Hint: This is our favorite way to find new material for your Audition Book, monologues & scenes!)</span></p>
<ul> <li><span class="font_large">Take a look at actors that you resemble. Check out their key personality traits, vocal type and personal style.</span></li> <li><span class="font_large">Now that you've found your professional twin, check out their resume and the roles they've played.</span></li> <li><span class="font_large">Go research those plays, TV shows, films and songs they've sung... possibly even roles from shows you've never heard of. Now, you've got a list of material that fits your type AND no one else has thought of!</span></li>
</ul>
<p> </p>
<p><span class="font_large">Getting to know your type is key when choosing material for yourself. Plus, knowing who you are can be a very freeing experience. </span></p>
<p><span class="font_large">Of course, we will all grow and change as artists. But, remember, knowing who you are can also help you play AGAINST type. </span></p>
<p><span class="font_large">When did you discover YOUR type? Let us know in the comments.</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span class="font_large"><span style="color:#16a085;">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64239642020-09-27T12:00:00-04:002022-05-15T02:51:08-04:00Get outta town<p><span class="font_xl"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/cdef0f4bedabb1d1bb97250618e0eb9a13438020/original/3.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="musical theatre musical theatre albums musical theatre songs musical theatre near me musical theatre international musical theatre colleges musical theatre quotes colleges with musical theatre musical theatre songs for altos musical theatre university of michigan musical theatre west musical theatre auditions near me musical theatre alto songs musical theatre duets musical theatre history musical theatre dance musical theatre resume musical theatre wallpaper musical theatre female duets musical theatre baritone songs musical theatre songs for baritones musical theatre golden age musical theatre duets female musical theatre nyu musical theatre songs for kids why theatre is important musical theatre shows musical theatre for kids musical theatre tenor songs musical theatre bfa" />R</span><span class="font_large">aise your hand if you stay pretty close to home, working the same few theatres year after year. </span></p>
<p><span class="font_large">Oh, don’t you worry, we've been there, too. </span></p>
<p><span class="font_large">It’s comfortable. It’s safe. You’ve had moderate success where you are, but in your heart, you know you were meant for bigger things.</span></p>
<p><span class="font_large">So, here do you start?</span></p>
<p><span class="font_large">Here are five ways to get the ball rolling: </span></p>
<hr><p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>1. Talk to your peers.</strong></span></span></p>
<p><span class="font_large">If there's one thing you can count on in our business, it’s the willingness of fellow thespians to talk about the shows they’ve done. Filter out the pertinent information, and write it down in your audition journal. </span></p>
<p><span class="font_large">You keep one of those, right? </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>2. Check out the theatre scene near family </strong></span><span style="color:#b41076;"><strong>and friends</strong></span>. </span></p>
<p><span class="font_large">Do some research to find out when auditions are happening in their area and plan your getaway. If you're in good standing, they might even be willing to let you crash during audition season. </span></p>
<p><span class="font_large">Of course, if you DO book the job, it's generally better to negotiate housing in your contract rather than relying on the "kindness of strangers." </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>3. DO YOUR RESEARCH! </strong></span></span></p>
<p><span class="font_large">There's nothing worse than walking into a new-to-you theatre and it... isn't what you expected. </span></p>
<p><span class="font_large">Find out the theatre's mission, what their season typically looks like, and who their audience is BEFORE you book an audition. </span></p>
<p><span class="font_large">There's nothing worse than using audition material that is totally inappropriate for the show. You wouldn’t audition for a company that focuses mainly on family entertainment with a monologue from <em>Glengarry, Glen Ross</em>. </span></p>
<p><span class="font_large">Well, you could, but don’t expect to be asked back anytime soon. </span></p>
<p><span class="font_large">Your research should uncover specifics about the theatre, their season, demographic, Artistic Director and their Musical Director. </span></p>
<p><span class="font_large">You don’t have to know everything about their company; your only interaction with them may be a “thank you” after the audition. But, knowing some details will help you make more educated decisions about your material and give you something to contribute to the conversation, should that opportunity arise. </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>4. Master the art of self-tape</strong></span>. </span></p>
<p><span class="font_large">The self-tape audition is NOT going away. Make it your friend, because it’s awfully convenient. </span></p>
<p><span class="font_large">Now, you can readily submit for gigs in new-to-you areas all over the country. (Remember all that genre appropriate material you’ve been working on?)</span></p>
<p><span class="font_large">And if you have an arsenal of recorded material, you can use it for multiple submissions. </span></p>
<p><span class="font_large">You will want to invest in a good (not necessarily expensive) backdrop, lighting, and sound equipment. </span></p>
<p><font size="3">(You can find our list of favorite equipment- complete with handy dandy Amazon links- here.)</font></p>
<p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>5. Cultivate a relationship with theatres</strong></span>. </span></p>
<p><span class="font_large">Don’t just submit and hope for the best. Follow up! </span></p>
<p><span class="font_large">Sure, you could just shoot an email off to say thanks, but why not go the extra mile and hand-write a personal note? It doesn’t have to be long, but a little personalization goes a long way. </span></p>
<p><span class="font_large"><strong>Pro Tip</strong>: Use a colorful envelope so it stands out from the standard mail they receive. </span></p>
<p> </p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>BONUS:</strong></span> <span style="color:#b41076;"><strong>Revisit professional and personal contacts. </strong></span></span></p>
<p><span class="font_large">Reach out to people in the biz you haven’t spoken to in a while, simply to say hello or to ask a specific question. </span></p>
<p><span class="font_large">Getting involved in different social media groups is another great way to get to know the latest buzz and who’s out there working. </span></p>
<hr><p> </p>
<p><span class="font_large">Branching out beyond your comfort zone can make your stomach do summersaults, but, “nothing wagered, nothing gained!"</span></p>
<p><span class="font_large">Keep your eyes and ears open. <span style="color:#000000;"><strong>INVEST IN YOURSELF</strong></span> and get out there to explore the possibilities!</span></p>
<p><span class="font_large">Let us know how you've branched outside your bubble below.</span></p>
<p><span class="font_large">Click <strong><a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank">HERE</a></strong> so you don't miss out on our next post!</span></p>
<p><span style="color:#096d82;"><span class="font_large">-Kevin Kelly & Natalie Cordone - theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64241132020-09-24T12:39:30-04:002021-03-03T16:27:07-05:00Voice Teacher vs. Vocal Coach<p><span class="font_large"><font size="5"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/58b52ab0d6ab26cd49657d5a39b38cd09220cd45/original/the-two-choices-an-actor-must-face-6.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_none" alt="training to be a better singer" />Y</font>ou don't need a guru. </span></p>
<p><span class="font_large">We know other coaches will tell you that their way is the only way. Sorry, but that's nonsense.</span></p>
<p><span class="font_large">We think that throughout your life & career, you should work with as many people as you can. That way you can cherry-pick what works best for YOU. There are a ton of voice teachers and vocal coaches out there, which means you can keep trying until you find the ones that work for you.</span></p>
<p><span class="font_large">Before you start your search for your next mentor, it’s important to know the difference between voice teacher and vocal coach. </span></p>
<p><span class="font_large">A <span style="color:#cc0066;"><strong>VOICE TEACHER</strong></span> is someone who focuses on technique, particularly on breath, resonance & optimal placement. </span></p>
<p><span class="font_large">A <span style="color:#cc0066;"><strong>VOCAL COACH</strong></span> is someone who helps you with interpretation, and connecting to the material for your optimal performance with some technique thrown in. </span></p>
<p><span class="font_large"><span style="color:#b41076;"><strong>BOTH ARE VALID</strong></span> - it just depends on what you need in the moment. Whichever you choose, there are a few things you should look for: </span></p>
<ol> <li><span class="font_large">Someone who understands the genre you sing, be it Classical, Musical Theatre or Pop. They should be able to immediately focus in on your bad habits AND offer you something relatable on how to adjust. </span></li> <li><span class="font_large">You should feel absolutely at ease with them - if you don’t feel like you’re in a safe-zone, then your physical tension is going to consistently get in the way of your sound production and interpretation. </span></li> <li><span class="font_large">At the end of the session you should feel good, not sore or fatigued, and should feel you have a take-aways from each session that inspire you to get to work. </span></li>
</ol>
<p><span class="font_large">Finding a vocal coach or voice teacher is a highly personal decision. Do your research, ask lots of questions and keep in mind you might be bouncing from teacher to coach depending on your needs in the moment. </span></p>
<p><span class="font_large">Take care of your voice, take care of you, and stay focused on your goals!</span></p>
<p><span class="font_large">Let us know what YOU look for in a coach in the comments!</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span class="font_large"><span style="color:#16a085;">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64258932020-09-22T10:44:57-04:002022-07-27T13:25:50-04:00Mine's Bigger Than Yours - Sizing Up Your Audition Book<p><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/739b820f8c6a92958cc644772ea60389fed9ba7c/original/the-two-choices-an-actor-must-face.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="musical theatre musical theatre albums musical theatre songs musical theatre near me musical theatre international musical theatre colleges musical theatre quotes colleges with musical theatre musical theatre songs for altos musical theatre university of michigan musical theatre west musical theatre auditions near me musical theatre alto songs musical theatre duets musical theatre history musical theatre dance musical theatre resume musical theatre wallpaper musical theatre female duets musical theatre baritone songs musical theatre songs for baritones musical theatre golden age musical theatre duets female musical theatre nyu musical theatre songs why theatre is important musical theatre shows musical theatre musical theatre tenor songs musical theatre bfa" /><span class="font_xl">Y</span><span class="font_large">ou're at an audition, getting in the zone and peacefully waiting until they call your name. You look around and notice everyone in the room has a 20 pound audition book in their lap and are chattering about looking for the "right" song before they go in. Now, you're doubting your choice of material, or if you should even bother.</span></p>
<p><span class="font_large">There is so much wrong with this picture.</span></p>
<p><span class="font_large">Too many musical theatre actors have the wrong idea about their audition books. They think if they cram 30 songs they've worked on once or twice into a binder they're ready for action! </span></p>
<p><span class="font_large">It's true, you should have an arsenal of material to fit any type of audition. HOWEVER, the odds of you being able to flawlessly perform everything in that cornucopia of music at the request of the director is, well...not realistic. </span></p>
<p><span class="font_large">First of all, no one needs to carry around that kind of book. If you're doing your job, you've researched the show, and the requirements in the casting call and have chosen a cut that is a good fit.</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>How many songs SHOULD I have in my book?</strong></span> When an actor walks into the room and plops their ginormous book on the piano and says, "What would you like to hear," you can hear the air being sucked out of the room from across town. It's like silently telling the musical director, "I'm a mess and have absolutely no clue what this audition is." <strong>If you have 5-6 pieces in your book of varying genres, you're good. </strong></span></p>
<p><span class="font_large">Now, don't get us wrong. You should have a larger variety of songs to choose from, but once you hit the audition room, leave those other choices at home. The MD and your chiropractor will thank you. </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>Should I have a table of contents?</strong></span> Yes. If they ask for something else, you won't waste time searching through your book trying find what they want. And while we're on the subject, adding tabs to your book is a smart idea.</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>How long should my cut be? </strong></span>Stop counting measures and start timing. It's not the golden age any more, where every song was written in neat 8 or 16-bar segments. A 16-bar cut should be around 30-40 seconds. In that very rare instance they request a 32 bar cut, it should be about 60 seconds.</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>Do I have to include the whole song in my book?</strong></span> Yes. Music directors look at your book. If they see you have only cuts of the song, they may question how deeply you've worked on it. Sure it sounds nice, but did you tell a story?</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>How long can I keep a song in my book?</strong></span> This can be a sensitive issue, but if you are a 40-year-old woman, it's time to take out "Mr. Snow"...</span></p>
<p><span class="font_large">The bottom line? Size doesn't matter, at least in this case. Have 5-6 well cut and prepared pieces in your neat and tidy audition book complete with table of contents, and stop worrying about everyone else...they're too busy trying to pick the right song anyway.</span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><span style="color:null;"><strong>HERE</strong></span></a> so you don't miss out on our next post!</span></p>
<p><font size="3">Have an audition book story to share? We'd love to hear your best/worst stories in the comments below.</font></p>
<p><span style="color:#096d82;"><span class="font_large">Kevin Kelly - theConnectedPerformer.com</span></span></p>The Connected Performertag:theconnectedperformer.com,2005:Post/64241982020-09-15T14:27:32-04:002021-08-15T14:46:46-04:00GET IN MY BRAIN! How to Memorize a Script<p><span class="font_xl"><img src="//d10j3mvrs1suex.cloudfront.net/u/333758/09899044c39d0b364317c85ea34dc590497453ba/original/7.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="how to learn your lines quickly" />W</span><span class="font_large">e've all been there. Six days to get the music, lines and blocking down. </span></p>
<p><span class="font_large">You stay up long hours after work, classes, rehearsal and whatever other adulting life throws at you. </span></p>
<p><span class="font_large">And now, because you're stressed and exhausted, no matter what you do, the lines won't friggin' stick! </span></p>
<p><span class="font_large">But maybe, just maybe, it's not that you can't memorize everything, it's just that you haven't found your method yet. </span></p>
<p><span class="font_large">We all learn in different ways. </span></p>
<p><span class="font_large">Some lucky people have photographic memories- the innate ability to read it once, and remember it forever. </span><span class="font_large">Now, while you guys are total rock stars (and the rest of us hate you- just a little bit), you're in a very small minority. </span></p>
<p><span class="font_large">So, for the 99% of us who abhor memorization, let's talk about some practical ways to remember those dreaded lines & lyrics.</span></p>
<p><span class="font_large">Here are four of our favorites:</span></p>
<hr><p><span class="font_large"><strong><span style="color:#cc0066;">1. SEE IT</span></strong> - This may be old-school, but writing all of your lines out is a tried and true way to get those words into the brain. </span></p>
<p><span class="font_large"> <strong>Natalie:</strong> Writing them out with a pencil & paper seems to work best.</span></p>
<p><span class="font_large"> <strong>Kevin:</strong> But, if that seems too last century, try typing them out and see if it works for you! </span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>2. HEAR IT</strong></span> - There are a bunch of apps out there to help with memorization. Most require you to upload a PDF version of the script. Take a look at Rehearsal Pro ($19.99), Line Learner ($3.99) or Script Rehearser (FREE!)</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>3. MOVE IT</strong></span> - Relate the lines to specific movements and blocking, or even use different focal points for each thought. </span></p>
<p><span class="font_large"> <strong>Kevin:</strong> My favorite way to memorize is to get on the treadmill and kill two birds with one stone (that's a terrible phrase, by the way.) </span><span class="font_large">For me, the repetitive movement does something to jostle my brain, and the words and lyrics seem to stick. Are you an overachieving, Type-A personality (psst- Natalie, I'm talking to you)? Try using Script Rehearser while you're on the treadmill. Just get used to people staring at you while you silently mouth your lines. I have.</span></p>
<p><span class="font_large"> <strong>Natalie:</strong> Kevin is a much nicer gym partner than I am. I put my AirPods in and say the lines out loud. I figure if other people can be on the phone, then I can have an imaginary convo with my scene partner. FYI- I do it walking my dog, at the grocery store, in my car... When mama's gotta learn a script, I couldn't care less what anyone else thinks.</span></p>
<p><span class="font_large"><span style="color:#cc0066;"><strong>4. LETTER IT</strong></span> - </span><span class="font_large">This sound totally crazy, but it works.</span></p>
<p><span class="font_large"> <strong>Kevin:</strong> It has turned out to be my new favorite way to memorize! Get a piece of paper and a pen. Write the first letter of each word in your script. For example: "To be or not to be" now becomes "T B O N T B"! Don't knock it until you've tried it. </span></p>
<p><span class="font_large"> <strong>Natalie:</strong> I learned this technique from Nelson Dellis, who has an incredible video on YouTube. Check it out here: <a contents="How to Memorize Lines Instantly" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=k8k_rNTDjJM">How to Memorize Lines Instantly</a>.</span></p>
<p> </p>
<p><span class="font_large"><span style="color:#b41076;"><strong>BONUS: RUN IT</strong></span> - Find a friend to be your partner.</span></p>
<p><span class="font_large"> <strong>Natalie:</strong> Honestly, I've found that there is no better method of getting out of your own way than finding a patient line running buddy. Hit up a roommate, a relative, your kid... anyone who can read will do. And if you feel like you don't know anyone, head over to Facebook. Post in almost any theatre or film actor group and you'll find someone who will trade time with you. Then use and abuse them... in a nice way, of course.</span></p>
<p><span class="font_large"> <strong>Kevin:</strong> She's not kidding. Trust me. </span></p>
<hr><p> </p>
<p><span class="font_large">In the end, you MUST keep a positive mental outlook. We know, we know...this sounds "crunchy-granola," but if you use positive affirmations to tell yourself, "It's easy to memorize" or, "I learn things quickly," you might just surprise yourself! </span></p>
<p><span class="font_large">Have a method we haven't tried? Feel free to share YOUR method of memorization with us below! </span></p>
<p><span class="font_large">Click <a contents="HERE" data-link-label="subscribe" data-link-type="page" href="/subscribe" target="_blank"><strong>HERE</strong></a> so you don't miss out on our next post!</span></p>
<p><span style="color:#096d82;"><span class="font_large">-Kevin Kelly & Natalie Cordone- theConnectedPerformer.com</span></span></p>The Connected Performer